“At that time, was in a very premature stage,” Ishiguro says. The streaming studio originally reached out to the 3D animation studio ARECT about creating the project, Ishiguro says, and the studio producer contacted him about coming on board. Ishiguro, who spoke to Polygon through a translator via video chat from Japan, says the decision to set the new Bright story in that era was made at Netflix, and was one of the few things decided about the project before he came on board. In Bright: Samurai Soul, it makes for a setting where the main characters are disenfranchised, abused, and exhausted. The era’s political tensions and cultural shifts - particularly the disempowerment of samurai - have made it an extremely romanticized period and a popular setting for Japanese fiction, including in anime like Rurouni Kenshin. The story is set at the beginning of Japan’s Meiji Restoration, the mid-1800s era when Western powers entered Japan and the country shifted away from a feudal basis under the Tokugawa Shogunate, restoring imperial rule and beginning an era of rapid modernization. For people who found the world more promising than the story, the anime revamp represented a chance to do something more interesting with the property than writer Max Landis and director David Ayer did with the live-action feature.ĭirector Kyōhei Ishiguro and writer Michiko Yokote do take advantage of the world’s potential in Bright: Samurai Soul, but the tone is still grim and heavy. Critics savaged the original Bright, a dour, misshapen movie that invents an intriguing modern fantasy world full of orcs and elves, then wastes it on a mash-up of a rote mismatched-partners cop movie and a rote “find the magical McGuffin” fantasy story. When Netflix first announced an anime spinoff of its 2017 Will Smith urban fantasy Bright, fans of the streaming service reacted with a mixture of bafflement and cautious optimism.
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